This Bridge Called My Back Writings By Radical Women Of Color By Cherrie L Moraga Updated and expanded edition of the foundational text of women of color feminism. Originally released in , This Bridge Called My Back is a testimony to women of color feminism as it emerged in the last quarter of the twentieth century. Through personal essays. This Bridge Called My Back: Writings by Radical Women of Color [Cherrie Moraga, Gloria Anzaldua, Toni Cade Bambara] on bltadwin.ru *FREE* shipping on qualifying offers. This Bridge Called My Back: Writings by Radical Women of Color/5(57). "Originally released in , This Bridge Called My Back, is a testimony to women of color feminism as it emerged in the last quarter of the 20th century. Through personal essays, criticism, interviews, testimonials, poetry, and visual art, the collection explores the complex confluence of identities--race, class, gender, and sexuality.
Title. This bridge called my back: writings by radical women of color / edited by Cherríe Moraga and Gloria Anzaldúa. Format. Book. Edition. Fourth edition. Published. Albany, NY: SUNY Press, [] Description. This bridge called my back: writings by radical women of color /. Show all versions (2) Bibliographic Details. Other Authors: Moraga, Cherríe (Editor), Anzaldúa, Gloria (Editor) Format: Book. Language: English. This Bridge Called My Back: Writings by Radical Women of Color Book Moraga, Cherrie, and Gloria Anzaldua, eds. Kitchen Table Press, Latham, New York.
This Bridge Called My Back Fortieth Anniversary Edition Writings By Radical Women Of Color Edited Cherríe Moraga And Gloria Anzaldua Epilogue S Chocolate Brews. Anzaldua first came to critical attention with an anthology she coedited with Cherrie Moraga, another Chicana lesbian feminist theorist and writer. Titled This Bridge Called My Back: Writings by Radical Women of Color (), the anthology includes poetry, fiction, autobiographical writing, criticism, and theory by Chicana, African American. This groundbreaking collection reflects an uncompromised definition of feminism by women of color. Through personal essays, criticism, interviews, testimonials, poetry, and visual art, the collection explores, as coeditor Cherríe Moraga writes, “the complex confluence of identities—race, class, gender, and sexuality—systemic to women of color oppression and liberation.”.
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